Friday, September 19, 2014

Largo camino a casa para Luis Enrique


El músico viaja a Puerto Rico, cuna de su fama, para los Premios Billboard Awards.

 

 
Por Fernie Ruano Jr.

 
Con cuatro nominaciones, incluyendo álbum Tropical del año por "Ciclos", Enrique estará en San Juan, Puerto Rico para los premios Billboard Latino el jueves 29 de abril.

 
"Estar en Puerto Rico para mí es como entrar en mi propia casa," dice Enrique, nacido en Nicaragua. "La isla fue mi cuna musical. Sin Puerto Rico no habría ningún Luis Enrique."

 
Tito 'El Bambino' lidera el camino con 18 nominaciones, pero muchos han catalogado al pionero musical de 47 años de edad como el favorito sentimental. Su voz, trajes de colores brillantes y  cola de caballo lo lanzaron a la fama, además de colocarle el apodo, "El Príncipe de la Salsa".

 
Un solista y compositor, Enrique fue una figura central en el movimiento de la salsa romántica que tomo impulso en Puerto Rico antes de convertirse en epidemia mundial durante la década de los 80’s – y mucho antes que Marc Anthony y Víctor Manuelle, entre otros, se unieron al genero con letras hasta más seductoras Enrique ya se había convertido en un icono de la salsa en Puerto Rico y fuera de la isla.

 

"Ciclos " marca su regreso a los estudios de grabación. Aunque continuó produciendo álbumes, su popularidad decayó durante una faceta experimental que incluyó la incorporación de ritmos un poco más caseros y desconocidos a la multitud de seguidores que rutina mente llenaban los sitios nocturnos – desde Miami a Colombia – para escucharlo cantar durante un espacio de casi 15 años.

 
"Yo nunca me fui, decidí que era hora de ir en una dirección diferente," dice Enrique, quien optó por todo, desde boleros a material espiritual después de un cambio de corazón musical. "Es lo que sentí en mi alma en aquel momento. … Yo soy músico completo, no solo un salsero."

 
Hace 30 años, Enrique dejó Nicaragua rumbo a los Estados Unidos, donde ha dicho que llegó como inmigrante indocumentada. Desde muy temprana edad le cogió el gusto a la música de Rubén Blades y la Fania All-Stars, pero no fue hasta que piso en Miami que Enrique empezó a formar parte de “jam sessions” por toda la cuidad, por lo tanto destacándose como percusionista y cantante de grupo con Israel Kantor, entre otros.

 
Pero la vida le cambió para siempre, gracias a un demo que grabó en 1987.

 
La oportunidad resultó en un contrato de grabación y el lanzamiento de "Amor de Medianoche", su primer disco en Estados Unidos. Además de abrirle el paso con nuevas audiencias, la producción le preparó el escenario para sus futuras álbumes como Amor y Alegría, que incluyó los éxitos "Desesperado" y "Compréndelo".


 
Cantando y tocando a lleno total en lugares que nunca había conocido como Alemania and Francia – y a veces montando hasta cuatro conciertos por semana -  Enrique le introdujo el género salsa “romántica” a un público extranjero, mientras seguía produciendo música comercial y taquillera a través de la década de los 80’s y principios de los 90’s, cuyo ejemplo discos como  "Mi Mundo", "Luces del Alma" y "Una Historia Diferente".

 
"Miro atrás a esa etapa de mi vida con mucha felicidad y sin arrepentimientos," dice Enrique. "Por suerte para nosotros nos logró capturar a una audiencia y significó mucho para mucha gente, no solo para mí. Te diría que fue una etapa muy bonita en mi carrera.”

 
Hoy en día, los coloridos trajes y cola de caballo han sido reemplazados por un corte menos llamativo.

 
Pero lo que no ha cambiado es su timbre rotundo y afición para abordar temas sociales en sus canciones.

 
"Ciclos" incluye la canción "Autobiografía", un recuento de la inestabilidad política que vive Nicaragua y "Abre tus ojos," una protesta a la violencia que se lleva a cabo diariamente en toda Sur América.

"Siempre me he enfocado en hacer música que no solo le toque el corazón a la gente, pero que lleve un mensaje útil,” dice Enrique. "El día que deje de hacer eso, es el día que descansaré mi voz para siempre."

 
"Ciclos" se llevó un premio Grammy por Mejor Álbum Tropical a principios de este año y alcanzó el número 1 en Billboard en la lista de discos Tropical.

 
Además de su nominación para el álbum Tropical del año, Enrique está nominado para otros galardones, entre ellos
Cantante Tropical del año y canción Tropical Airplay del año por "Yo No Se Mañana."

 

 

 

 

 

 

 

El camino de Camila


El trío mexicano alcanza el éxito.

Por Fernie Ruano Jr. |2010-04-21 | Vista Magazine

Quizás formar un trío pop masculino con nombre de mujer no sea la manera ideal de cautivar a miles de personas por toda Latinoamérica, pero el grupo mexicano Camila parece estarlo logrando.

Después de su éxito a mediados del 2005 con “Todo cambió”, su primer álbum que vendió 500,000 ejemplares a nivel mundial y que comparte título con la balada romántica que los dió a conocer en el ambiente, Camila busca dejar una huella más profunda con “Dejarte de amar”, su actual producción que viene sonando desde febrero.

Con la meta de alejarse un poco del pop tradicional, los vocalistas Mario Domm y Samuel Parra “Samo”, junto al guitarrista Pablo Hurtado, se han lanzado con una mezcla de rock, guitarras más cargadas, percusiones y hasta la participación de una orquesta en el álbum que ya ha sido catalogado disco de oro en Colombia y Venezuela. Camila expone un emotivo sonido a lo largo de la producción con las armonías vocales de Samo y las melodías de Domm, junto a las contestas de Hurtado con su guitarra.

Con un segundo sencillo, “Aléjate de mí”, sonando en las estaciones radiales de México, Puerto Rico y Argentina, entre otros lugares, y una gira de conciertos lista para arrancar en junio, Domm está seguro que el trío va en buen camino hacia alcanzar su deseo. Aléjate de mí lleva más de dos meses encabezando las listas de las principales estaciones radiales argentinas y mexicanas.

“Este (disco) es más intenso, con más rock y hasta folk. Queríamos un disco mejor y distinto al primero”, afirmó Domm, compositor de nueve de los 11 temas de la producción.

“Dejarte de amar” ganó la certificación de doble platino por sus altas ventas en su México natal, donde los tres integrantes dicen sentir el mismo apoyo del público que los recibió hace cinco años. La producción refleja lo que han vivido los tres desde la salida del primer disco–uno que fue acompañado de una gira de tres años.

“Para hacer algo de nuestras carreras dejamos el amor, dejamos muchas cosas atrás, cosas importantes”, dice Hurtado, quien es el responsable de las largas secciones de guitarra y de la letra de la canción “Me voy”. “Nos vimos con mucha soledad y dolor durante la gira pero … cada canción en este álbum está hecha con ganas y mucho amor”.

Aunque existan poquitas diferencias entre los tres integrantes, muchas veces es un reto difícil trabajar juntos para llegar a un acuerdo.

“Se sabe que tenemos que trabajar en equipo para poder llegar a un mismo lugar”, dice Domm. “Hay una admiración tremenda entre [nosotros] y funcionamos muy bien en equipo”.

Después de escuchar más de 30 temas para luego grabar 11 canciones – todas escritas entre hoteles y aeropuertos durante la gira anterior – Parra y Domm dicen estar motivados por la oportunidad de llevar su música a donde todavía no saben quién es Camila.

La oportunidad de exponer su música aún más allá empieza el 26 de junio cuando el trío abra su gira en San Juan, Puerto Rico. Domm expresó que las presentaciones del grupo estarán llenas de efectos visuales y producciones con mucha creatividad.

“Quisiéramos llevar nuestra música a Brasil, Francia, Italia, Alemania y todos los lugares a donde no saben quién es Camila”, dice Parra. “Queremos que el público sienta una conexión con la música”.
Quizás formar un trío pop masculino con nombre de mujer no sea la manera ideal de cautivar a miles de personas por toda Latinoamérica, pero el grupo mexicano Camila parece estarlo logrando.

Después de su éxito a mediados del 2005 con “Todo cambió”, su primer álbum que vendió 500,000 ejemplares a nivel mundial y que comparte título con la balada romántica que los dió a conocer en el ambiente, Camila busca dejar una huella más profunda con “Dejarte de amar”, su actual producción que viene sonando desde febrero.

Con la meta de alejarse un poco del pop tradicional, los vocalistas Mario Domm y Samuel Parra “Samo”, junto al guitarrista Pablo Hurtado, se han lanzado con una mezcla de rock, guitarras más cargadas, percusiones y hasta la participación de una orquesta en el álbum que ya ha sido catalogado disco de oro en Colombia y Venezuela. Camila expone un emotivo sonido a lo largo de la producción con las armonías vocales de Samo y las melodías de Domm, junto a las contestas de Hurtado con su guitarra.

Con un segundo sencillo, “Aléjate de mí”, sonando en las estaciones radiales de México, Puerto Rico y Argentina, entre otros lugares, y una gira de conciertos lista para arrancar en junio, Domm está seguro que el trío va en buen camino hacia alcanzar su deseo. Aléjate de mí lleva más de dos meses encabezando las listas de las principales estaciones radiales argentinas y mexicanas.

“Este (disco) es más intenso, con más rock y hasta folk. Queríamos un disco mejor y distinto al primero”, afirmó Domm, compositor de nueve de los 11 temas de la producción.

“Dejarte de amar” ganó la certificación de doble platino por sus altas ventas en su México natal, donde los tres integrantes dicen sentir el mismo apoyo del público que los recibió hace cinco años. La producción refleja lo que han vivido los tres desde la salida del primer disco–uno que fue acompañado de una gira de tres años.

“Para hacer algo de nuestras carreras dejamos el amor, dejamos muchas cosas atrás, cosas importantes”, dice Hurtado, quien es el responsable de las largas secciones de guitarra y de la letra de la canción “Me voy”. “Nos vimos con mucha soledad y dolor durante la gira pero … cada canción en este álbum está hecha con ganas y mucho amor”.

Aunque existan poquitas diferencias entre los tres integrantes, muchas veces es un reto difícil trabajar juntos para llegar a un acuerdo.

“Se sabe que tenemos que trabajar en equipo para poder llegar a un mismo lugar”, dice Domm.
“Hay una admiración tremenda entre [nosotros] y funcionamos muy bien en equipo”.

Después de escuchar más de 30 temas para luego grabar 11 canciones – todas escritas entre hoteles y aeropuertos durante la gira anterior – Parra y Domm dicen estar motivados por la oportunidad de llevar su música a donde todavía no saben quién es Camila.


La oportunidad de exponer su música aún más allá empieza el 26 de junio cuando el trío abra su gira en San Juan, Puerto Rico. Domm expresó que las presentaciones del grupo estarán llenas de efectos visuales y producciones con mucha creatividad.

“Quisiéramos llevar nuestra música a Brasil, Francia, Italia, Alemania y todos los lugares a donde no saben quién es Camila”, dice Parra. “Queremos que el público sienta una conexión con la música”.

 

Perfectamente Paulina



Con un nuevo álbum, La Chica Dorada vuelve al primer plano.

 


--------------------------------------------------------------------------------
Fernie Ruano, Jr.
 
Otra tarde en Miami es acompañada por un aguacero alimentado de rayos, que convierte las calles de Midtown en una piscina de charcos. Como la madre naturaleza continúa su asalto, varios visitantes en una sala de conferencia del segundo piso se apegan a la ventana esperando la llegada de Paulina Rubio.
 
Una hora después y tras varias garantías de una publicista que la cantante mexicana está en camino, se oye la voz ronca y familiar de Rubio revotando por las paredes del lujoso edificio. 
 
Casualmente vestida en cargas de algodón, camiseta y abrigo, aparece la rubia con una leve sonrisa. En un estado de ánimo juguetón, le ofrece, tiernamente, un abraza a aquellos a su alrededor antes de decirle algo en el oído a un miembro de su equipo de trabajo.
 
"Todavía tengo un montón de rasgos de esa niña que totalmente no ha crecido," dice Rubio, entre pausas para atender a sus tres cachorros.”
 
"Esta industria tiene trampas de muchos tipos y es difícil a veces para ver y experimentar todo lo que la vida tiene para ofrecer. La vida es bella y hay que disfrutar cada segundo de ella. ... Me levanto cada día con una actitud positiva."
 
Aunque sólo horas antes estaba en una avión despegando de México, donde recientemente fue nombrada Embajadora de turismo, Rubio se ve fresca y habla con optimismo sobre su nuevo álbum Gran City Pop, su novena producción a solas. El disco fue lanzado después de un período de tres años sin grabación.
 
“Gran City Pop”, una producción donde sobresalen las mezclas acústicas con un toque de rock y pop, especialmente vigente en “Causa y Efecto”, ha alcanzado platino con más de 300.000 discos vendidos en Estados Unidos, apenas una semana después de su lanzamiento en Miami, Madrid y México.
 
“Causa y Efecto” se colocó en el puesto número uno de los “100 Hot Latin Tracks” de Billboard” durante cinco semanas consecutivas tras su debut en marzo.
 
 
"Siempre es bueno, sano, a desaparecerse un tiempo, así se puede uno reinventarse,” dijo Rubio. “El tiempo entre  grabaciones de discos es vital porque permite que vuelva a conectar con la naturaleza y sirve como un impulso de energía".
 
Hay pequeños signos de su etapa cuando joven — la hija rebelde de la actriz Susana Dosamantes y la  superestrella fría como el hielo con 19 millones de álbumes vendidos en todo el mundo ha desarrollado una reputación en los últimos años, especialmente con los medios de prensa, entre otros
.
"El hecho que eres una figura pública significa que la gente va a saber de ti, no importa qué,” dijo Rubio. “Está bien, entonces una historia negativa a veces vale más que un logro a la prensa — he llegado a aprender eso a los apretones."
 
 
Su paciencia y conmovedoras respuestas durante una entrevista de 20 minutos y en varios encuentros semanas más tarde, están en agudo contraste con la cantante ardiente que en el 2006 intento golpear a una mujer fotógrafa en un aeropuerto.
 ¿Adónde esta la chica desafiante — que una vez puso de chispa al gobierno mexicano después de posar desnuda para una revista abajo de un paño rojo, blanco y verde, muy parecido a la bandera del país.
 
"A veces uno aprende de la manera difícil", dice Rubio.
 
Aunque ella no aclara ningún incidente en particular, el pensamiento sólo podría poner sus percances bien publicitados en el transcurso de su larga carrera en perspectiva.
 
A los 38 años, Rubio aparece mucho más madura, sabia, y con un balance espiritual, aunque siempre será una "niña de corazón.”
 
Casado desde el verano de 2007 al ejecutivo de relaciones públicas Nicolás Vallejo, Rubio le da varios vistazos a su publicista cuando se le presento una pregunta delicada, como la del reciente robo en su mansión de Miami Beach — pero resulta aturdida cuando presentan sus perspectivas de convertirse en madre.
 
"Tal vez no sea mañana, pero definitivamente quiero tener hijos," dice Rubio. "Definitivamente puedo verme con una gran familia."
Rubio estuvo fuertemente involucrado en componer las canciones para la Gran City Pop, apoyándose en los productores Estafano y Cachorro López, para nombrar unos pocos, mientras que buscaba crear una producción sentida de "amor y despecho".
 
Aunque las fusiones electrónicas llevan unos tonos más bailables, dándole al el disco un sentido “retro”, la voz de Rubio esta mejor que nunca. "Puede ser que sea que estoy madurando. ¿Cuál es el dicho: ' Yo soy como el buen vino,  Entre más vieja, mas (buena),'"dice Rubio entre carcajadas.
 
Rubio empezó a experimentar con los instrumentos, especialmente la guitarra acústica y los tambores, a la edad de 5 y dice que a temprana edad supo que quería ser cantante.
 
No pasó mucho tiempo antes de que ella estuviera tras bastidores en programas populares de la televisión mexicana como Siempre En Domingo, mientras que iba a todas partes junta a su madre.
 
"Fue definitivamente una ventaja," dice Rubio, ex-Timbiriche, quien comenzó su carrera como cantante a los 10 años.
 

Thursday, September 18, 2014

Angie Chirino scores a big hit – running


By Fernie Ruano Jr.

What woman in a red dress wouldn’t spread enough confidence and pride throughout a ballroom, if she’s not being stared at with the kind of envy that would make every man want to dance “cheek to cheek” and secure “beauty ” by his side as British-Irish singer Chris de Burgh crooned in 1986-hit, “Lady in Red”?
Unless you’re newly-minted, competitive runner Angie Chirino and the only thing on your mind last October at Jungle Island – other than wondering how in the world you managed to fit into a spaghetti-strap red dress – was a round, glossy vegetable found in the produce section of a supermarket.

“I looked like a freaking tomato,” said 45-year-old Chirino, a special education teacher, part-time songwriter and well-rounded foodie, whose passion for cooking stretches from borrowing Perez Hilton’s internet-cookie recipes to taking over the two-pronged fork on Sunday afternoons at her dad’s house.
Chirino, training for her second race after completing the 11 Freedom 5k in 30:23 earlier this month on Hollywood Beach, could barely stomach pictures of herself in the red dress while at the event, despite all the glowing messages circulating on social media.

Well, for the most part.
“You know how it is. It starts; you look great, you look amazing, you look this, you look that, but there’s always that one, but; that one but,” said Chirino, who has been running three miles twice a week for several months despite shin splints and sore knees.

“There’s always that one but, that one. And there was somebody that said, “Angie that can’t be possibly be you. No way, that has to be an old picture of you, or something.”
That one “but” was enough to get an uncomfortable Chrino, admittedly 40 pounds overweight, out of the red dress and off to Zumba class, where she almost fell over from exhaustion after completing a one-mile Indian run in 16 minutes as an introduction.

\
Recharged: Angie Chirino, a special education teacher, recently completed her first competitive 5K.

The motivation? Chirino, daughter of Miami-based, Cuban singer-songwriter Willy Chirino and part of a family with an  imprint in the Latin music industry, was weeks away from a live performance with several of her sisters at a local school.

“How did I feel?” said Chirino, running for the first time in almost five years. “The truth is, I just challenged myself because in my mind I had to be ready (for the show), if I didn’t die first. I thought I was going to die!”
Motivated at mid-life by a teenage daughter dreaming of Broadway, the need to serve and see her special education students blossom, and a reborn passion for songwriting the personable Chirino, childlike during a 45-minute conversation, even while icing her knees down, has plenty of miles and good cheer left to burn, according to a recent study.

The study, conducted by the Journal of the American College of Cardiology, concluded 45% of all runners are less likely to suffer from any cardiovascular diseases compared to non-runners. 

Researchers, who took 13,000 runners and divided them into five groups based on how many minutes they ran per week, found that individuals that run for at least five minutes a day reduced their risk of premature death by nearly one-third and extended their lives by three years.

“Today, right this very second, I feel like I can do anything, and I’m in a very happy place” said Chirino, who suffered the unsteadiness of the music industry despite co-writing “Dimelo” (I Need to Know), Marc Anthony’s 1999 hit off his self-titled album.
But that was a decade ago, when Chirino would drop off her daughter at school. Well, her daughter is now months away from heading to college and Chirino is back on her feet – running.

And strengthening her time management skills, if not exploring and imagining.
“I’m truly in love with myself (again), “ said Chirino. “Sometimes we find ourselves in a comfort zone. I can honestly tell you, I’ve broken out of my comfort zone.”

Chirino, who keeps a steady diet of boiled eggs, salads, yogurts and tuna during the workweek, and eats “everything” on weekends, including daddy’s famous barbeque on Sunday, is targeting early-2015 for her first 10k and doesn’t see a marathon in her future.

Today, the only thing Chirino sees, when she’s not out running to 80’s music and unintentionally motivating fellow teachers to follow her footsteps, is a mirror to laugh out at, especially when it’s time to decide what to wear to a commercial filming with her sisters.

“Now, I just laugh to myself when I hear everybody asking what I’m going to wear,” said Chirino. “I don’t cringe anymore when I look at the mirror.”

Do you want to know more about this 305-reeking, beach-bumming, Cuban food-obsessed dude? Well, then.. You can connect with Fernie @wordbyfernie (Twitter) and Fernie Ruano (Facebook). Who knows? If he really likes you, he might even give you his email.

 

 

 

 

 

 

Saturday, January 18, 2014

Evolution of the Miami Weather Forecast




A typical South Florida summer forecast includes dark skies, vibrant dresses and a morning deluge of WSVN-7 meteorologist Vivian Gonzalez (@VivianGonzalez7).

There’s loads of airtime too for (WPLG-Ch. 10) Julie Durda, (WFOR-Ch. 4) Lissette Gonzalez, (WTVJ-Ch.6) Jennifer Gray, (WSCV-Ch. 51) Denise Isaac (WLTV23) Paola Elorza and (WLTV-Ch.23) Carolina Ramirez and (WPLG-Ch.10) Betty Davis on weekends for viewers – especially men between the ages of 25 and 54.

They take their coffee with a local weather report as South Florida television stations aim to drive morning ratings with a trend that has flooded the market: female meteorologists.

You’ve probably seen them smiling back at you from the side of a bus, a highway billboard, a television ad or social media page even before any of them are up at 2:30 a.m. to compile computer graphics, style their hair and land on your TV set.

“There’s a trick to the madness,” Vivian says in between chuckles over the phone. She’s one of six women delivering 36 live weather updates during an eight-hour, dawn-to-noon block each weekday and an integral member of an all-female anchor team.

Whatever the trick of the importance of the morning slot – the second largest revenue-generator for a TV station and growth area for viewership – station execs are pouring money into the exposure of their morning talent. The personable Gonzalez fits the mold as tightly as the dresses she routinely wears on ‘Today in Florida’.

“I have my own my secret formula,” adds Vivian, a former intern turned full-timer who replaced Durda in November of 2012.

As a Miami-born, Mississippi State broadcast meteorology alum, Lissette Gonzalez (@LissetteCBS4) has in a short time etched out a profile gig in the country’s 16th largest market.

By quickly establishing herself into the conscious of viewers, she’s also becoming a popular and sought-out commodity within the community, routinely taking part in charitable events — a lethal 1-2-3 combination for any station looking to brand an on-air talent.

And while female viewership is strong in the morning, there are plenty of male eyeballs tuning in to catch a glimpse of the physically attractive women delivering the weather. Though women in television is nothing new, few had originally sought out a career in meteorology, as is the case with an eight-year vet like Lissette, an ex-Miss Florida turned off-Broadway singer and University of Miami journalism graduate.

Aside from figuring prominently in the station’s morning newscast and doing countless radio weather updates, Lissette has also reached celebrity status around town – that was her working the runway during a Susan B. Koman charity event. She also routinely sings the national anthem at events across South Florida, including Kiss Country’s Chili Cookoff, Dolphins games, and Heat games.

She refutes any suggestions that she is known more for her physical attributes than her ability to construct forecasts.

“I can tell you I’ve worked really hard…I’m in this studio early, I prepare my own computer graphics and do my own research,” Lissette says. “It’s incredibly flattering to be recognized in public, especially in a place I grew up in and love, but I am a meteorologist first and foremost.”

She recounts the impact left on her as a teenager seeing former WTVJ meteorologist Bryan Norcross lead worried viewers through the night during Hurricane Andrew. “Bryan is a role model for many of us,” Lissette says, although her arrival at WFOR4 wasn’t until 2005, 13 years after the 1992 hurricane. “I wouldn’t be in this position.”

Still, not a day goes by without Vivian taking to Facebook to post a weather update before appeasing her Twitter followers — and ‘lending’ boutique — with a picture exposing her wardrobe; all of which have become must-see amongst her male contingent, whether it’s a neck strap or zippered-dress.


Julie Durda, a former 49ers cheerleader with an ample collection of bikini shots on the web for your viewing pleasure, does much of the same and continues to be heavily marketed since joining the morning team at WPLG10 in March.

“I have the support of great friends around town that trust what I do and believe in me,” Vivian says. “It’s great to be recognized a lot, but my main responsibility is as meteorologist at WSVN.” She also dials up WQAM each Friday for ‘Club Viv’, a five-minute segment where she tackles the weather among other things with Joe Rose.

But this clearly isn’t your mother’s cup of tea.

The influx of women taking hold of the local morning newscast has increased – thanks in part to the number of female forecasters nationwide going from 19 percent in 1999 to 22 percent in 2010. Respected broadcast meteorology programs live at Florida State and Mississippi State. Also, a large part of the viewership is female. Producers also know male viewers – some looking for the attractive anchor – will tune in.

“It’s not a surprise; all of these women represent big dollars,” says a former Spanish-language TV producer. “Stations all over the country realize the more attractive women you put on there, the more it’s going to help ratings, especially in the morning.”

The producer noted the increase in the amount of women pursuing a meteorology career as broadcast meteorology programs around the country have evolved — Isaac is an FSU graduate — and females have taken to studying atmospheric sciences. Mississippi State’s broadcast meteorology program experienced a 54 percent spike from 1993 to 2010 in the number of its female graduates, according to the Radio Television Digital Association.

Vivian contends – and Lissette supports – that most stations, including the one she’s employed by, are sold if you can master the presentation of forecast maps and monitors in a way that relates exceptionally well with your audience, no matter the gender.

“You need to connect with the viewer because you’re telling a story and how it’s going to impact them throughout the day,” Vivian says. “I feel I have that connection with the audience.”

But while being comfortable in her own skin, Vivian has also mastered the study of scientific atmospheres in addition to all the other technical elements required to succeed as a meteorologist. In addition to a degree, she has passed several evaluations testing her communication skills and technical forecasting capabilities.

“It’s not just about the way I look,” she says. “I don’t think I would be here if I didn’t prove my knowledge along the way.”

Fernie Ruano Jr. (@wordbyfernie) was looking for his umbrella when Doug Flutie threw that pass (you know the one), was in the upper deck with a high school flame during Game 6 of the 1997 World Series and still has a Farah Fawcett poster somewhere. He has never used PEDs.





For Miami Women, It’s in the Cup




Anna Marie Rodriguez can barely toss a Nerf on the beach, but the 28-year-old third-grade teacher packs the self-confidence of an NFL Hall of Fame quarterback.

“I would be down and so mad; I couldn’t fill anything,” Rodriguez says, giggling over wings and beer during a recent midday lunch in Aventura. “But look at me now, I’m like reborn. This is by far the best money I’ve ever spent.”

Passer-by after passer-by set their eyes on the corner stool of an outdoor table. The adequately proportioned and petite Rodriguez paid $4000 last summer for a breast augmentation that took her cup size from 32B to 34C. Sitting with friends and unabashedly exposed – though not difficult to see – she wasn’t wearing a bra.

“I don’t get cold feet anymore when I go to the mall,” said Rodriguez, who spent $500 on new bras – yes, she wears them occasionally – days after her surgery. “My [breasts] fit in anything.”

While her revelation isn’t cut for Disney, Rodriguez now fits firmly into a trend that would make any friendly bear want to cuddle: America’s rising average bra size.

Lingerie retailer Intimacy recently conducted a survey concluding the average bra size in the U.S. has risen from a more-than-plenty 34B in 1993 to a mouth-watering 36DD in 2013, while pointing to more bra sizes available for purchase and breast augmentation surgeries from coast-to-coast as key elements for the overall increase.

But while both factors go hand-in-hand, there’s a bit more to chew on for the recent spike.

‘In the male world boobs are huge,” Rodriguez says. “If I or any of the women in here were walking around with small breasts, there would be no reason to go and buy bras for one and two; we wouldn’t be getting too much attention.”

“I mean, take a look around you. How many women do you see with small [breasts]? So, bigger breasts obviously means more bra sizes… I don’t know a guy who doesn’t like bigger over smaller. ”

Ricardo Santo echoes Rodriguez’s sentiments, although he paid a steep price for it and has nothing to show other than occasionally being reminded there’s a 30-ish single mom walking Miami Beach with a new and improved bra size – thanks to him.

Two years ago, Santo, a West Palm Beach bartender, jetted to Colombia for a breast augmentation that left him $3,100 short, but instilled his girlfriend with the joy of going from a 32B to 34C. She piled up on plunging bikini tops and t-shirts. He was in heaven.

“They were absolutely perfect: perky and really firm. She could be wearing anything,” said Santo, who walked away from the two-year relationship because she wouldn’t commit to marriage. “I could barely take my eyes off her in public.”

Santo hears it from his friends – especially when they’re sitting around having drinks – but he would be open to doing the same thing if the opportunity presented itself again.

“I just love them,” said Santo. “I am a big [breasts] guy.”

But ironically, Rodriguez and Santo, though they’ve never met and were interviewed separately in venues with diverse demographics, share a common bond that readily exists, according to 26-year-old freelancer graphic designer Cindy Hutchins.

“After I got mine done — and to this day — it’s like wow, they look amazing,” Hutchins said. “I never got that from women before and my guess is they didn’t want to say anything when the subject would come up because they knew I wasn’t happy.”

Hutchins sports a 36D cup after having surgery in 2010.

“And my husband still talks about them when three years ago it was the last place on my body he would even touch.”

Law student and part-time trainer Melanie Gianfranco, 21, made it through high school and two years of college without giving her ‘normal-sized’ breasts much thought other than when in the middle of a session of girl talk.

“I was cool with what I had,” Gianfranco said. “My friends would be like, I feel great and whatever but I was fine.”

A former 32C, Gianfranco now sports a busty 34C bra size after undergoing breast surgery last summer.

“My boyfriend plays minor league (baseball) and when I started traveling with him I would see all these beautiful girls with great [breasts],” said Gianfranco. “It was kind of intimidating and more in that environment.”

A Miami cosmetic surgeon concurs that besides elevating the physical state of most women, it improves the emotional well-being of both genders – especially those in relationships.

“It’s a given that the woman is staring at herself a few more seconds in the mirror and probably can’t wait to put on the tank top or whatever,” said the Aventura-based surgeon.

“But it gives men a boost of confidence. Tell me, you’re not walking around feeling great knowing your wife is not wearing a bra, in a tight shirt and will be home when you get there? I don’t know anybody that wouldn’t. ”

Well doctor, meet Denise Colon.

It wasn’t long ago the 38-year-old Puerto Rican masseuse couldn’t get enough of her string bikini, kept a supply of fitted, Heat t-shirts in her drawer, and always slipped into strapless dresses on ‘date nights’.

“I loved them,” said Colon, a perky 34C after plunking down $3,300 in 2007. “I mean I thought I had the perfect [breasts].”

The feeling was mutual from her girlfriends to her ex-husband who constantly showered praise all over her chest, but Colon, who keeps a steady workout routine, started experiencing back pains that have gradually increased throughout the summer and derailed her ability to move around, even altering her sleeping habits.

“I’ve been checked out three times and there’s nothing wrong with me,” Colon said. “I just wouldn’t have had them done if I could do it all over again.”

Rodriguez feels some sympathy for Colon, but she wouldn’t change a thing.

“I would be the same miserable Anna Marie without them,” Rodriguez said. “I would definitely do it again if I had too, no question about it.”

Fernando Ruano Jr. (@wordbyfernie)
 


Monday, March 4, 2013

Miami International Film Festival Embraces Family-Friendly Films

By Fernie Ruano Jr.
Entering its 30th year, the Miami International Film Festival, the annual piñata of Spanish and Latin American productions — long-established for satisfying the taste of all cinema enthusiasts – is rolling out the red carpet for the entire family and promises something for everyone, whether your child is still fumbling with Lego bricks, buried in The Diaries of Wimpy Kid or immersed in American Idol.
3D-animated adventure comedy The Croods
Intent on delivering an interactive, family-friendly festival for kids of all ages, festival organizers have revved up efforts on opening weekend so you don’t leave anybody behind when pulling out of the driveway.
“I want to open the door to all kids and give them an opportunity to come away with a deeper appreciation for everything that goes into the film industry and making a film,” said Jaie Laplante, executive director of the Miami International Film Festival.
And judging by this year’s kids series, which kicks off with The Croods, a 3D-animated trip back into the Stone Age, and The Boy Who Smells Like Fish, about a young boy’s search for a normal life while battling a medical condition, Laplante isn’t kidding.
Judd Ehrlich’s Magic Camp, a documentary shadowing the footsteps of trick-obsessed kids competing for a prestigious award, will also screen around scheduled Q&A sessions with filmmakers.
Star-studded The Croods explores family dynamics
At the forefront is Kirk De Micco and Chris Sanders’ (Disneytoon, Lilo & Stitch) star-studded, adventure-comedy ‘The Croods’ (1:30 p.m., March 2, Regal South Beach Cinemas), a 90-minute prehistoric tale that follows a caveman family’s epic journey of modernization and a new home (after their roof caves in, literally).
Belt, Guy and Eep in The Croods
Their discovery of the future and the concept of tomorrow (think The Flintstones meet The Simpsons) accelerates after a happening involving brainy and creative Guy, a wandering hunter-gatherer (Ryan Reynolds) who opens their eyes and aids their transition into modern age, not to mention keeps their pants up the help of his pet sloth, Belt. Along the way, the family is blindsided by generational clashes and unforeseen transitions, altering their outlook on life for forever.
While teasing an emotionally-charged complexity between parent and child in its trailer, much like Brave and Finding Nemo in recent years, The Croods appears to key in on the entire family dynamic, namely the all-conservative father (an-odd sounding Nicholas Cage) and rebellious daughter (a curvy and loud Emma Stone). Meanwhile, De Micco and Sanders attempt at all cost to retain the caveman’s way of thinking for the sake of comic relief, if not to keep the audience engaged even if the character designs of the animated-cave people look a bit out of focus.
But a colorful backdrop and scenery to go with Stone’s voice should make for a fun and adventurous transition from rocks to modernization.
Self-Esteem Themes in The Boy Who Smells Like Fish
Although centered on Mica (Douglas Smith), abandoned and stricken with a metabolic disease, the drama-laden The Boy Who Smells Like Fish ( 6:15 p.m., March 2, Olympia Theatre) leans on the power of perseverance and relationships while gingerly crossing paths between gender and age, all the while tugging at the heart.
Zoë Isabella Kravitz in The Boy Who Smells Like Fish
Directors Analeine Cal and Mayor play with the notion that dealing with his own self-esteem is the key to putting a young boy’s condition in the rear-view mirror and moving on with his life, but nothing comes easy.
With his father a non-presence since birth and his mother (Ariadna Gil) hardly around, the funky-smelling teenager (his doctors can’t seem to detect why the disease makes him reek of fish) spends most of his time guiding tours at a museum dedicated to Mexican crooner Guillermo Garibai and struggles to make friends despite the delicate care provided by his therapist (Carrie- Anne Moss).
Hardly anybody talks to him as he marches on with what would seemingly continue to be a bland and meaningless life – until he comes to face-to-face with the kind-hearted Laura, played by Zoe Kravitz, the daughter of Lenny Kravitz and Lisa Bonet.
Magic Camp holds perseverance message for everyone
There’s a trick for everybody to appreciate in Ehrlich’s Magic Camp (1:30 p.m., March 3, Regal South Beach Cinema) as magic-consumed kids gather at Tannon’s, the most prestigious camp in the world, to deal with the pressures of having to grow up, all the while trying to etch their names on the same stage that once hosted renowned magicians Dave Copperfield and Dave Blaine.
But more than just mastering what’s behind making a card disappear, Ehrlich beautifully illustrates the picture of perseverance as the campers grow with age. “I have kids of my own and we live in such a fast environment that we forget to educate them on the most important of core values,” said Laplante. “There’s a message in these films for everyone.”
Scene from the documentary Magic Camp
“We are 100% committed to making sure Miami families are aware that the Miami International Film Festival welcomes them with open arms,” he said.
A $6 discount ticket code (FamilyMIFF) for Hispanicize, Latina Mom bloggers and Being Latino readers is available through phone and online advance orders.
Regular price is $12 for adults and $7 for kids under 16/students with ID. Seniors price is $11 and all Miami Dade College students (with ID) are admitted free of admission. Tickets can be purchased at (305)-405- MIFF (6433) or www.miamifilmfestival.com.
General inquiries can be made at (305)-237-FILM (3456) or info@miamifilmfestival.com.

Points well taken: What is a NFL + NCAAF spread bet and how can you make one

For sharps or the most novice of sports bettors in Florida , recently added to the long list of states where you can make a legal sports b...